| MANI | 2011 orchestra 8’
instrumentation: 4343.4441.3perc.harp.strings (min.18.104.22.168.6)
Since Volkslied or world music was to be an underlying theme in my new piece I incorporated a sort of Lied-type tune in it. This tune was however not something I brought into the piece from the outside, not a preexisting tune. On the contrary I set about looking into my usual composing procedures to find out whether a Volkslied could be extracted from them. Indeed my rhythmic grid yielded a fragment of a tune in G major. This fragment is presented behind a veil in the beginning of the piece. As the piece goes on we discover that the notes of the tune are actually like five bells, each one of them ringing quite independently of the others and the piece evolves into a growing sound mass. Almost all sounds played by the orchestra are like single ringing bells of different amplitude, so there is not much melodic feel to the piece. The title, Mani, is the term for the Tibetan prayer wheel used in certain rituals. It was inspired by the fact that my piece is based on rhythmic cycles that are constantly repeated in different versions.
Cottbus, December 16 and 18, 2011 (Orkester des Staatstheaters Cottbus, Daniel Klajner)
Reykjavík, January 24, 2012 (Iceland Symphony Orchestra, Ilan Volkov)