OA | 1995 soprano , fl in G , vn , perc. 8’
percussion
One performer: large tambourine, marimba, claves, 5 cencerros, log drum
comment
Oa was commissioned by Musica su più dimensioni in Palermo. The text is derived from one of the Laude by Jacopone da Todi which begins “O amore…”
| NECKLACE FOR MRS. NAUGHT, A | 1990 picc (fl in C) , fl (fl in G) , percussion , harp , celesta (harmonium) , 2vn , vla , vc, 9’
percussion
one player: marimba (A-c’’’’), vibraphone, tubular bells (c’, e flat ‘, f’),tam-tam (small)
comment
This is a brief piece completed in Paris in January 1990. Perhaps I was not convinced of its quality, and have never proposed it for performance. On second thought there are however a couple of passages of certain interest.
For performers: There has not been made any performance material for this piece, so a performance would require adequate notice.
MUSUBI | 1992 tpt , vib (mar) , pno 9’30’’
comment
It is possible to tie a knot on a thread, a reed stalk or some other such material, that will trap a guardian imp and prevent him from leaving his master. If a musical composition is knit together in the right way, one can catch an imp which then forever kicks about in its web. Musubi is based on a net of tones in which many kinds of knots have been tied, in the hope that life will quicken in it. The title of the work alludes to ancient Japanese belief in the power of knots. The work was commissioned by Michio Nakajima of the Mirkk Art Forum in Tokyo
main performances
Reykjavík, February 7. 1993 (The Ymir Ensemble)
Amsterdam (same)
Tokyo (same)