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| DUE BAGATTELLE II | 1997 solo cl + 3 or more background instruments 7’
comment
Due Bagattelle for clarinet were composed in 1987. Each of them is based on a spectre of pitches which remains immobile through the whole movement, but moves around these pitches in a certain way. They have been performed in various places in the original version, but in 1997 I thought of adding slight external resonances to the solo part to mark the underlying pitch structure, also introducing some repetitions in the solo part.
For performers: There are various ways of realising the background parts, which are divided in three voices: vla. Vc. Pno. or vn. Vc. Vib (or guitar or harp or cymbalom) etc. A couple of instruments with sustained notes (strings) and at least one with plucked or stricken notes, and also with more than one instrument per voice.
main performances
Amsterdam, May 30, 1998 (Gino Sgroi/Zephyr Ensemble)
Montepulciano, July 1998 (Gaspare Tirincanti/Ensemble MusicAttuale)
Palermo, December 14 1998 (Gino Sgroi/Zephyr Ensemble): The Musica su più dimensioni Festival
Reggio Emilia: The Di Nuovo Musica Festival
Rome, June 17, 2000 (Gino Sgroi/Zephyr Ensemble)

| DUE BAGATTELLE | 1987 solo clarinet 6’
comment
Due Bagattelle for clarinet were composed in 1987, while I studied with Davide Anzaghi at the Conservatoiy in Milan. Each of them is based on a spectre of pitches which remains immobile through the whole movement, but moves around these pitches in a certain way. The style may be defined as something between rigorous post-serialism and free jazz.
For performers: Although it is a school piece, the Bagattelle may be considered a fully representative part of my output and have enjoyed quite some success with soloists (in the original, and the modified version, see below). They are very difficult, but the difficulty seems to be rewarding enough. There seems to be no lack of excellent clarinettists capable of rendering such pieces.
main performances
Milan Conservatory, February 1987 (Rocco Carbonara)
Reykjavík, March 1990 (Gudni Franzson)
Milan, December 1993 (Gudni Franzson)
Bologna, July 1998 (Gaspare Tirincanti)
Bergen, June, 2000 (Smith)

| DUBBLETTER | 1992 cl in A , vc , pno 9’
comment
Dubbletter was composed by commission from Svenska Rikskonserterna in Stockholm for the Kaldalons Trio. The instruments explore diverse ways of playing together: distant and separate, distant but synchronous, close and synchronous, close and separate etc. All this happens on the surface while underneath there is a firm framework of vertical and horisontal pairs of notes that determines the function of all events.
main performances
Härnösand, Stockholm and Växjö, March 1992 (Ingolfsson, Kornblueh, Birgisson)
Njardvik, August 16, 1992 (same)
Reykjavík, October 4, 1992 (same)
Bergen, June, 2000 (Smith, Heim, Clapperton): The Music Factory Festival
Båstad, June 27, 2003